Linda Muir: Last News

Jazz Tangcay Artisans Editor “Wicked” and “Conclave” were the big winners of the 27th Costume Designers Guild Awards on Thursday evening. This was the guild’s second instance awarding “Wicked” designer Paul Tazewell. He won in 2021 for “Hamilton” in the excellence in variety, reality-competition or live television category.

The only surprise today with Nosferatu’s four Oscar nominations is that four of the six nominees have somehow never been nominated before. Though if you ask the nominees, every film they’ve worked on together is just a way to hone their skills for the next project.

If there is one guarantee of seeing a Robert Eggers film, it’s that the artistic vision will stick with you long after you leave the theater. Nosferatu is no different, from the haunting soundtrack to the visually stunning yet chilling production design. It’s no surprise that Eggers continues to work with the same craft department heads for each of his films, as every collaboration seems to bring a better understanding of each other’s craft to enhance the workflow between departments.

Nosferatu vampire fit was inspired by The Rolling Stones’ Mick Jagger according to a new interview.The movie, which is set to release on December 25 in the US and January 3 in the UK, is a remake of the 1922 film of the same name, which in turn was based on Bram Stoker’s gothic horror novel Dracula. Directed by Robert Eggers, it stars the likes of Skarsgård alongside Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson and Emma Corrin.The film’s costume designer Linda Muir has now opened up more about the inspirations behind Skarsgård’s outfit in the film, which she says drew from Jagger.Speaking to IndieWire, the designer said she had fun creating the costume for Skarsgård’s Orlok saying his coat was “more of a cape, like Dracula”.She continued: “And then he has underneath a beautiful dolman, which is like a tunic…And that is layered and layered and layered.

A.D. Amorosi Without a doubt, Robert Eggers’ “The Northman” traffics in his now-usual brand of haunted atmospherics and wonky mysticism, a signature whose intensity is upped by the savage bloodlust of its characters and the vastitudes of his first big-budget epic with a price tag reportedly hovering between $70 million and $90 million.The only thing more intensely stressed than the dilemma of a Viking prince in the year 895 (avenging the death of his father, the king, at the hands of his jealous uncle who stole the prince’s mother as the spoils of war — or did she go willingly?) played to brutal, muscular perfection by Alexander Skarsgård, is the all-consuming dedication of its tactile production design, its brooding, cinematographic ambiance and the craftsmanship of its furry, hierarchical costuming.