Karen Idelson: Last News

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‘Puss in Boots: The Last Wish’ Director Joel Crawford on Why Panic Attack Scene Was an Important Moment for Both Kids and Parents

Karen Idelson When director Joel Crawford considered including a realistic panic attack in “Puss in Boots: The Last Wish,” he knew it would be an important moment for kids and adults alike. “We know so many people who struggle with anxiety or we struggle with it and have panic attacks ourselves,” Crawford says. “Children can handle these scenes, maybe sometimes better than adults, and it can help everyone to feel seen if we create a scene that feels like it’s drawn from something that really happens.” In the scene, Puss is overwhelmed by fear as he considers that he’s used up eight of his nine lives. Though the character’s signature state of mind is that of a daring, playful and extroverted cat, this new film takes him in a more vulnerable direction.
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Singapore-Born Filmmaker Weaves Dark Twist on Family Duty Into Short Film
Karen Idelson When writer-director Leon Cheo was crafting his Indeed Rising Voices short “The 25th Filial Exemplar,” he drew inspiration from old Hollywood films with terrifying depictions of the parent-child relationship, both classic (“Psycho”) and unintentionally camp (“Mommie Dearest”).But his initial creative spark came from something much closer to home: an article he read about a man in China who dressed up as his late sister to help ease his mother’s feelings of loss and grief. Cheo’s own parents live in his native Singapore, and he’s aware that as they grow older, he may have to help them navigate the health care system. It’s rare in Asian culture for parents to go into nursing homes or for people outside the family to provide assistance, so he knows that the burden of providing care could very well fall on him.  “It’s an unpaid job that kind of lasts a lifetime,” says Cheo. Cheo amped up the psychological terror and turmoil in “The 25th Filial Exemplar,” infusing the story with the dark tone of a horror movie and adding sibling rivalry to the thematic mix. While it’s often the first-born male child who becomes the favorite in Asian cultures, in this film, it’s the daughter — though the “daughter” is actually the son dressed as his dead sister.
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