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‘Amerikatsi’ Review: Armenia’s Oscar Submission Is A Wayward, Blackly Comic Tale Of Hope

There’s a lot to take in and even more to process in American-Armenian director Michael Goorjian’s ambitious period piece: What he’s tilting at here is not beyond the realms of comedy, as Armando Iannucci proved with his 2017 jet-black satire The Death of Stalin. But tone is crucial, and Amerikatsi has a waywardness that too often undermines its intent — there’s a lot that works here and so much that doesn’t. There are moments that are sensitive, thoughtful, and really quite moving — in an elegant, silent-movie way — but the framing is so dark in its humor that many viewers may never make it to them.
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