Joe Lawlor - celebsbar.com

Irish director Joe Lawlor said his film Baltimore – about heiress-turned-IRA mastermind Rose Dugdale – has modern connotations with groups such as Extinction Rebellion UK and Just Stop Oil who he suggests will become “more militant” in time.

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‘Baltimore’ Review: Imogen Poots Leads A Moody & Jagged Drama About Heiress Turned Marxist Radical [Telluride]

Based on a true story, they said, based on actual authentic events, but what does any of that matter if the actual story presented on screen doesn’t really resonate clearly or deeply? That’s the frustrating part of “Baltimore,” an intriguing but uneven new period-drama about an heiress turned Marxist revolutionary and radical, written and directed by Christine Molloy & Joe Lawlor, two Irish filmmakers (sometimes known as the creative pair Desperate Optimists) who emigrated from Ireland to England in the fraught and tumultuous 1980s during the Troubles when the IRA continued to mount their violent campaign aimed at ending British rule in Northern Ireland in order to create a united Ireland.

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London Film Festival Lineup: Ryusuke Hamaguchi, Kitty Green & Christos Nikou To Play In Competition

New works by Ryusuke Hamaguchi, Kitty Green, and Christos Nikou are among the titles that have been set to play in competition at the upcoming 67th edition of the British Film Institute’s (BFI) London Film Festival. Scroll down for the full list.

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Hamaguchi Ryusuke, Lukas Moodysson, Deepa Mehta Films Among BFI London Film Festival Competition Titles

Naman Ramachandran The 67th BFI London Film Festival has unveiled the titles that will compete in its official, first feature, documentary and short film competitions. Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms.

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‘Rose Plays Julie’ Review: A Shivery Psych Thriller Channelling Mythic and Modern Female Rage

Jessica Kiang Beneath the eerily calm surfaces of Christine Molloy and Joe Lawlor’s terrific “Rose Plays Julie,” a transgressive story bides its time. It’s a tale that feels ancient in structure, but terrifyingly modern in detail, mapping MeToo-era revelations and a contemporary preoccupation with fractured identities onto a deceptively simple revenge plot that could have been plucked directly from a Greek drama, then plunged into liquid nitrogen to achieve its deep-freeze aesthetic.