Cristobal Tapia: Last News

Shalini Dore Features News EditorThe Miami Film Festival returns this year with a hybrid event that includes nine premieres, with three films bowing in special red carpet presentations from March 4-13 in the Florida city. The festival had previously announced that “The Good Boss” would open the event while “Plaza Catedral” would be the closer.

Lily Moayeri A theme song sets the tone for a series. This is certainly the case for HBO’s awards favorite, “The White Lotus,” which won an Emmy for “Aloha” last year. The jungle sounds, exotic tones, yodels and screams laid over percussive rhythms and high-pitched flutes became instantly identifiable and an echo of the contentious characters vacationing at the Hawaii-based titular resort. Considering how iconic “Aloha” became, changing the theme for the Sicily-based second season was a bold choice. Chilean Canadian composer Cristobal Tapia de Veer drew his original musical ideas from the script and from conversations with series creator Mike White. White “wanted the music to feel like it was boiling under these characters,” de Veer says from his studio in Montréal.

Lily Moayeri The impact of “Renaissance,” the main title theme for the second season of “The White Lotus,” is felt far beyond the screen. Since the season’s premiere in Fall 2022, “Renaissance” has ushered in the Killers as they arrived on stage and Dominic Fike has closed his sets with it. But where the song has really hit is on the dance floor. Grammy-winning DJ/producer Tiësto, a huge fan of the series, began including it in his sets toward the end of 2022. His “Renaissance” remix got its official release, with HBO’s blessing. For the second season, Chilean Canadian composer Cristobal Tapia de Veer drew his original musical ideas from the script and from conversations with series creator Mike White. White “wanted the music to feel like it was boiling under these characters,” de Veer says from his studio in Montréal.