Christian Jeune: Last News

Elsa Keslassy International Correspondent Can the Cannes Film Festival top itself after a 2022 edition that premiered three picture nominees, “Top Gun: Maverick,” “Triangle of Sadness,” and “Elvis”? Cannes chief Thierry Frémaux certainly hopes so. In his first interview about the upcoming 76th edition, Fremaux tells Variety about his efforts to pull together another milestone edition, talks about his failed attempt to get a woman to preside over this year’s jury and his hopes to lure prestige U.S. indies, along with Hollywood studio movies, after proving once again last year that Cannes can be a strong launchpad for the awards season. But some things won’t change, as Netflix isn’t planning a return to the festival. Other streamers, like AppleTV+, however, are expected on the Croisette with Martin Scorsese’s movie “Flowers of the Killer Moon.” On the sponsor side, Cannes will be working with TikTok while keeping a close eye on the social media site’s political ties. The Official Selection will be unveiled in mid-April in Paris.

FINAS) has partnered with the Singapore Film Commission (SFC), the Film Development Council of the Philippines (FDCP) and Taiwan Creative Content Agency (TAICCA) for the inaugural Malaysian Development Lab for Fiction Feature Films (mylab). An incubator program for scriptwriters, directors, producers to work on developing scripts and film projects under lectures and the guidance of regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, mylab focuses on projects at an early stage of development, with a team of scriptwriter, director and/or producer attached, targeted at regional or international audiences. It aims for each project to deliver a package of script, budget, financing plan, dossier and pitch-ready materials at the end of the program.