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Jazz Tangcay Artisans Editor “The Marvelous Mrs. Maisel” has submitted “Your Personal Trash Man Can” in the outstanding original music and lyrics category for Emmys consideration. Written by Curtis Moore and songwriting partner Thomas Mizer, the song features in “Susan,” Episode 4 of the Amazon Prime series’ fifth and final season. One of the most music-filled episodes of the show, “Susan” follows Susie (Alex Borstein) and Midge (Rachel Brosnahan) as they help a garbage man who calls in sick. The episode was also submitted for production design for a narrative period or fantasy program (one hour or more) by Bill Groom, production designer; Neil Prince, supervising art director and Ellen Christiansen, set decorator.

Jazz Tangcay Thomas Mizer Curtis Moore Bill Groom Lenny Bruce David Mullen Luke Kirby show actress actor Music man

‘The Marvelous Mrs. Maisel’ Star Alex Borstein Is Ringmaster Of New ‘Corsets & Clown Suits’ Musical Comedy Special

Alex Borstein is known to fans of “The Marvelous Mrs. Maisel” for her hilarious portrayal of agent Susie Myerson, and to viewers of “Family Guy” for providing the voice of Lois Griffin for more than two decades.

Alex Borstein Bill Groom David Mullen Susie Myerson Lois Griffin performer stage stars audience voice Music Provident

How Extravagance and Vaudeville Inspired Emmy-Nominated Production Designers

Jazz Tangcay Artisans Editor“The Gilded Age” production designer Bob Shaw didn’t want to go overboard as he gave the grand home of Agnes van Rhijn (Christine Baranski) a “lived-in” feeling. He hung portraits on top of one another and used patterns on the wallpaper, the curtains and the chairs — all of this to show old money.

Michael Waldron Jazz Tangcay Bill Groom Kasra Farahani Agnes Van-Rhijn show jazz action

How ‘Mrs. Maisel’ Production Designer Found the ‘My Fair Lady’ Chandelier for Show’s Burlesque Club Set

Jazz Tangcay Artisans EditorAfter a lengthy hiatus from the small screen, “The Marvelous Mrs. Maisel” returned for a fourth season, giving Emmy voters more content to digest.This time around, Midge, played by Rachel Brosnahan, takes on a career change and winds up working at a Manhattan burlesque club, the Wolford. Says production designer Bill Groom, “Had it not been for COVID, we would have used an old Broadway theater.”Instead, he had to build the club from the ground up at Brooklyn’s Steiner Studios.His idea was that the Wolford would be an old vaudeville theater.

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