Amy Seimetz: Last News

The Idol is heading towards its season finale.

After its HBO debut, The Idol quickly made waves for its controversial sex scenes and cringy storytelling.

Well, fans of The Idol, it’s looking like this is going to be your only season.

In defense of Jocelyn. Lily-Rose Depp and The Weeknd have been sharing their thoughts about the backlash to The Idol, which premiered on HBO in June 2023.

William Earl SPOILER ALERT: This story contains spoilers from the second episode of HBO’s “The Idol,” titled “Double Fantasy,” now steaming on Max. The sophomore episode of “The Idol” has arrived, and following last week’s controversial and divisive series premiere, the stakes within the show have been raised. Troubled pop phenom Jocelyn (Lily-Rose Depp) has a tortured video shoot, and then later invites her love interest, cult leader Tedros (Abel “The Weeknd” Tesfaye) and some of his followers to her house for a night of debauchery. The sex, drugs and industry drama is amped up compared to the first episode in an hour of television sure to start online discourse.

Succession and Barry, Sam Levinson’s The Idol is set to take over. While many are excited to see Levinson’s next series following the success of Euphoria, the show has been marked by various issues, including reports of a toxic set culture. In addition, the content has also been deemed exploitative.

McKinley Franklin editor HBO has released the official trailer for its explicit Sam Levinson-directed series “The Idol,” which is set to premiere on June 4. “The Idol” premiered at this year’s Cannes Film Festival, making it the first television show to officially debut at the festival. The series stars Lily-Rose Depp as rising pop star Jocelyn and Abel “The Weeknd” Tesfaye as Tedros, a powerful, sex-obsessed cult leader.  After calling off her latest tour, Jocelyn is on a mission to reignite her career, with big dreams of becoming the biggest star in the industry. After she meets Tedros, Jocelyn is swiftly drawn into his world, where he promises to expand her career to new heights — at any cost.

When the credits rolled at the Lumiere Theatre Monday evening following the debut of Sam Levinson’s The Idol, the loudest and heartiest cheer was handed to actor Da’Vine Joy Randolph.

The Weeknd and Lily-Rose Depp shut down the Croisette to show the price of fame — and plenty of raunchy intrigue — at the Cannes premiere of “The Idol” on Monday. Making direct parallels to superstar meltdowns like the one suffered by Britney Spears, the HBO Original series finally revealed itself at a packed gala screening. Revenge porn photos of bodily fluids on Depp’s face, masturbation with ice cubes, nightclub-owning scam artists and vile Hollywood sycophants populated the first two episodes of the already-controversial series. Co-created by Abel “The Weeknd” Tesfaye, Reza Fahim and “Euphoria” visionary Sam Levinson, “The Idol” centers on an aspiring pop star named Jocelyn (Lily-Rose Depp) who gets taken under the wing of a self-help guru (Tesfaye) amid her ascent in the music industry. Tesfaye’s character, Tedros, is a modern day cult leader. The supporting cast includes Suzanna Son, Troye Sivan, Dan Levy, Rachel Sennott and more.

Jem Aswad Senior Music Editor In a sprawling new cover story in Vanity Fair, the Weeknd talks about the dark rumors surrounding his forthcoming HBO series “The Idol” and speaks broadly of what will apparently be the third iteration of his musical persona.   The series comes at a transitional time for the artist, who spoke of his theatrical ambitions in an expansive 2020 Variety cover story pegged to the release of his blockbuster album “After Hours.” In many ways “The Idol” is a conclusion of that dark, superstar phase of the Weeknd: Although he insists he is not Tedros, the abusive and misogynistic Svengali he portrays in the show — who is manipulating a pop star played by Lily Rose Depp, both career-wise and personally — it’s not worlds away from the nihilistic, sex-obsessed, drug-addled persona that populates many of his songs. In fact, he says he’s closer to Depp’s character.          

HBO series The Idol has revealed how The Weeknd – real name Abel Tesfaye – first pitched the idea of the show to him.Speaking to W Magazine, Levinson recalled: “Abel came to us with a pitch. He said something that I’ll always remember: ‘If I wanted to start a cult, I could.’ What he meant is that his fans were so loyal and devoted that they would follow him anywhere.

Charna Flam Ahead of the Cannes Film Festival debut and summer premiere of Sam Levinson’s upcoming drama series “The Idol,” the director offered some insight on how the HBO production was conceived. The “Euphoria” showrunner explained how the series lead, Abel Tesfaye, also known as The Weeknd, pitched the premise. “Abel came to us with a pitch,” Levinson told W Magazine. “He said something that I’ll always remember: ‘If I wanted to start a cult, I could.’” “What he meant is that his fans were so loyal and devoted that they would follow him anywhere,” Levinson continued. “That was the germ of the idea for ‘The Idol’: what happens when a pop star falls for the wrong guy and no one speaks up.”

The Weeknd has addressed the production troubles on his upcoming HBO series The Idol, describing the show’s overhaul as a “challenge”.Set to premiere at the Cannes Film Festival later this month, The Idol follows aspiring pop singer Jocelyn (Lily-Rose Depp) who falls into a complex relationship with self-help guru and cult leader Tedros (Abel Tesfaye aka The Weeknd).The series, created by Tesfaye, Reza Fahim and Euphoria’s Sam Levinson, underwent an overhaul in April 2022 after a rough-cut was completed. This led to various changes in the cast and crew, including the departure of director Amy Seimetz.According to an interview with Tesfaye and Levinson with W Magazine, the singer was concerned the dynamic between his cult figure character and Jocelyn in the original cut was “not as complex” as they had envisioned, which led to a “pivot”.“Film and TV is a new creative muscle for me,” Tesfaye told the outlet. “I don’t release my music until I think it is great.

Emily Longeretta The days of fall TV being the time for new shows to premiere are long gone. This summer, prep for bingeing per usual with a slew of unscripted and scripted series coming to both streamers and network TV. Likely the most-anticipated series of the year, HBO’s “The Idol,” will premiere in July after a great deal of delays and reshoots.

Netflix’s fantasy drama Sweet Tooth will end with the upcoming third season.

BreAnna Bell Netflix has renewed “Sweet Tooth” for a third and final season, which has already been filmed in New Zealand, the streamer announced. “In a lot of ways, it’s exactly the story that I imagined we would tell and in a lot of ways it takes on its own life. At the beginning, I think you set out to tell these landmark pieces of Gus’ story and the big pieces of the comic book, but the beauty of long-form storytelling and Gus’ journey over 24 episodes is the characters themselves tell you what they want to be. The crew and cast bring so much depth and point of view to who the characters are and where they’ve come from and where they’re going,” said creator, showrunner and executive producer Jim Mickle.

Being a pop star has its dark side.

McKinley Franklin editor It’s time to gawk at the rise (and fall?) of a new megalomanic pop star.  HBO has announced that its original series “The Idol” will premiere on Sunday, June 4 at 9 p.m., with the network releasing another erotic teaser for the series. The new footage touts the series’ inclusion in the out of competition selection of this year’s Cannes Film Festival. The trailer opens with the question of when the industry saw “the last truly-fucking-nasty, nasty pop-girl.” Cue Britney Spears’ “Gimme More.”  “The Idol” stars Lily-Rose Depp as Jocelyn, a fame-hungry young woman looking to take over the entertainment industry. When she meets Tedros, a powerful, sex-obsessed cult leader portrayed by Abel “The Weekend” Tesfaye, Jocelyn’s career expands to new heights.

Emily Longeretta Amid a bit of drama surrounding HBO’s “The Idol,” the Weeknd-led series is in talks to debut at the Cannes Film Festival in May, multiple sources confirm to Variety. Star Abel “The Weeknd” Tesfaye previously attended Cannes Film Festival and is hopeful the show premieres there, according to one source, but the festival has not yet screened the drama, which has undergone a great number of changes behind the scenes. HBO is not commenting at this time. Though primarily a film festival, a handful of TV series have been brought to Cannes in the past, including “Twin Peaks: The Return” and “Top of the Lake: China Doll.”

The forthcoming HBO show The Idol is said to be “the sleaziest love story in all of Hollywood,” according to its very own promo push from late last summer. And considering its creators — Euphori

HBO and stars Lily-Rose Depp and Abel "The Weeknd" Tesfaye are defending upcoming music industry drama "The Idol" after an article alleged its production under director Sam Levinson has gone "wildly, disgustingly off the rails" and has turned into "torture porn."  Director Amy Seimetz, of "The Girlfriend Experience," was originally hired to helm the drama before leaving after shooting 80% of the six-episode limited series, and Sam Levinson of "Euphoria" was brought in, according to Rolling Stone.The article claimed Tesfaye, who is a co-creator of the show, felt Seimetz was leaning too much into the "female perspective" of the story.  However, sources told Variety that the outlet's insiders had not seen the finished product, which still reportedly represents a "female perspective." Meanwhile, the streaming service told Fox News Digital in a statement, "The creators and producers of ‘The Idol’ have been working hard to create one of HBO’s most exciting and provocative original programs.The initial approach on the show and production of the early episodes, unfortunately, did not meet HBO standards so we chose to make a change." HBO continued, "Throughout the process, the creative team has been committed to creating a safe, collaborative, and mutually respectful working environment, and last year, the team made creative changes they felt were in the best interest of both the production and the cast and crew.