In some ways, Oppenheimer, Christopher Nolan’s biggest non-superhero movie, was a product of the pandemic. Until the winter of 2020, the director had been loyal to Warner Bros., and their logo was to be found on every film that Nolan either wrote, directed or produced.
While he was never formally tethered to that studio, Nolan had been monogamous as its cornerstone tentpole filmmaker, ever since his 1999 breakout indie film Memento led him to create Insomnia there.
That year, however, everything changed. The usually mild-mannered director was outraged by the decision of former WarnerMedia CEO Jason Kilar to perpetrate a blindside dumping of the studio’s entire slate onto its HBO Max streaming service.
This attempt to build subscribers for its streaming service at a time few were going to theaters incensed Nolan and many others.
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