Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality. Trump was born and raised in the New York City borough of Queens, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan.
The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He owned the Miss Universe and Miss USA beauty pageants from 1996 to 2015, and produced and hosted The Apprentice, a reality television show, from 2003 to 2015. Forbes estimates his net worth to be $3.1 billion.
Carolyn Giardina The Future of Cinema Summit at the NAB Show opened Saturday morning with speakers who agreed that AI can make production faster and cheaper, but it can’t do everything.
Meanwhile, the issue of jobs remained murky. “This is the age of the generalist,” suggested Eric Shamlin, CEO of AI-driven production studio Secret Level and co-chair of the TV Academy’s AI Task Force, during the SMPTE-produced summit. “The other thing we are seeing is it’s putting a spotlight back on the creative vision. … People can now create space operas in their bedroom.
I think we are about to see a massive unlocking of human creativity…To be a creative, previously, was a very limited group. This blows that apart.” Looking ahead to production involving AI tools, Shamlin emphasized his “commitment to how to do this responsibly, not replace artists, and be a voice in how these tools get adopted.” Albert Bozesan, creative director at Munich-based AI production house Storybook Studios, believes it is “a lot cheaper and a lot faster to use AI in our [production] workflows, [though] you have a little less creative control.” As one example, he asserted that AI for dialogue is not a viable option.
Actors, he insisted, are needed for their performances. He admitted that “the unpleasant part” of this subject is talking with artists.
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