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‘Motel Destino’ Review: Karim Aïnouz’s Neon Nior Examines Fate And Destiny In Brazil – Cannes Film Festival

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Motel Destino, directed by Karim Aïnouz, begins with a burst of energy and intrigue, setting up a promising neo-noir thriller set against the vibrant backdrop of Northeastern Brazil.

The film follows Heraldo (Iago Xavier) and his brother, whose favorite pastime of beach outings and capoeira practice belies their darker side as petty criminals indebted to a local madam.

Their latest assignment — a high-stakes murder — plunges them into a realm of danger and desperation. However, despite its gripping start and lush cinematography, the film ultimately loses its way, bogged down by a sluggish middle act and narrative inconsistencies.

The brothers are tasked with assassinating a Frenchman in exchange for freedom from their debt. Before the mission, Heraldo decides to unwind at a nightclub, where he meets a mysterious woman who leads him to Motel Destino.

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