Peter Debruge Chief Film CriticThe lights come up on four Korean American teens crowded around a hotel bed. They’re members of a So Cal church group on a mission to Bangkok, Thailand — though the location only matters is the abstract.
Audiences never leave the hotel room in “Man of God,” although director Maggie Burrows’ creative staging of this punchy feminist one-act from Anna Ouyang Moench has our imaginations working overtime.Neon lights outside the window suggest the world of temptation beyond the sanctuary of the hotel room.
This should be a safe space, but the play’s opening revelation ruptures that illusion: The most devout of the underage missionaries, Kyung-Hwa (Ji-Young Yoo) holds a tiny webcam in her hands, discovered moments earlier stashed behind the hotel toilet.
Who could have installed it? Not much mystery there: It’s labeled “Property of New Seoul Christian Church,” which means their chaperone, the pastor, must be responsible.
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