There are stories so good they can withstand any amount of retelling. Matilda began life as Roald Dahl’s rollicking tale of an outrageously spirited, clever little girl who defeats the bullying headmistress whose vocation is to make children miserable.
The Royal Shakespeare Company turned it into a Christmas musical that burst the banks of the festive season, running for years and winning seven Olivier Awards in 2012 in London, then five Tonys the following year in New York.
Now, director Matthew Warchus, along with writer Dennis Kelly and songwriter Tim Minchin, has directed the London Film Festival opener Roald Dahl’s Matilda the Musical for the screen.
And once again, it is an absolute blast. From the moment it begins, with a series of glowingly lit babies in cribs “singing” about how their besotted parents think they’re all geniuses, it is clear that Warchus and the team have not merely adapted the theater musical but rethought it, top to bottom.
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