Chris Willman Senior Music Writer and Chief Music Critic Filmmaker Michael Lindsay-Hogg is having a bit of a “hail the conquering hero” moment that very few people would have expected him to be having this far into the 21st century, least of all himself.
Although he has had many successes in film and in the theater over the last 60 years or so, he remains most famous as the director of the Beatles documentary “Let It Be” — and that 1970 film remains most famous as something that has been kept locked in the vault since it got a brief VHS and laserdisc release in the early 1980s.
Shot in 1969 as the Beatles recorded their next-to-last album, “Let It Be” has been remembered largely as a glum look at a great band, rehearsing not so much for an album or concert as rehearsing for a breakup.
But what if it wasn’t really that at all? Two surprising developments have occurred to give “Let It Be” a very belated rehabilitation in the public mindset.
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