‘Killers of the Flower Moon’ Review: Martin Scorsese’s Osage Murders Movie Is Overlong but Never Slow

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Peter Debruge Chief Film Critic Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to steal resources from the Osage people by marriage and murder — in less time, and you’d learn a whole lot more about how J.

Edgar Hoover and the newly formed FBI used this case to establish their place in American law enforcement. Granted, this is cinema legend Martin Scorsese we’re talking about.

For years, he fought studio execs telling him what to cut, going head-to-head with Harvey Weinstein on “Gangs of New York” (a movie that probably would’ve been better longer).

Now he’s earned the right to tell stories as he sees fit. Trouble is, at 206 minutes (still four shorter than “The Irishman”), “Killers of the Flower Moon” isn’t an epic motion picture so much as a miniseries.

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