Brent Lang Executive Editor Isabella Rossellini puts down her fork, straightens her back and shows me how she nailed a pivotal moment in her new movie, “Conclave,” a Vatican-set thriller that unfolds a world away from her 28-acre Long Island farm where we’re having lunch.
In the scene, Rossellini’s character, a nun named Sister Agnes, is navigating a darkened hallway, trying to remain undetected, when she glimpses something mysterious unfolding a few feet in front of her. “My heart has to beat much faster, so the camera picks it up,” Rossellini says. “Your breath has to translate that.
So I …” And with this she inhales, drawing in oxygen as quietly as she can, filling the room with a sense of tension without saying a thing.
It turns out great screen acting is all about waiting to exhale. In “Conclave,” Sister Agnes tends to the fraternity of cardinals gathered to choose the next pope.
Read more on variety.com