The indie box office busted out this year, hitting is stride post-Covid with an eclectic string of releases that made a splash artistically and financially.
Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore.
Focus Features had the biggest limited opening of the year with Wes Anderson’s Asteroid City (gross $28 million). Alexander Payne’s The Holdovers with Paul Giamatti ($17.9 million) drew older demos, picky, yes, but finally comfortable back in theaters.
Ditto for MGM’s Air, a film Amazon originally slated to go directly to Prime Video, that hit a core 45+ audience and a $52 million cume.
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