‘Indiana Jones And The Dial Of Destiny’ To Ring Up Around $60M Opening: Here’s Why – Early Box Office Outlook

Carole Horst DreamWorks Animation brings three features to Annecy, and screens the world premiere of “Ruby Gillman, Teenage Kraken,” with director Kirk DeMicco, producer Kelly Cooney Cilella and co-director Faryn Pearl in attendance, on June 15 at the festival. The animated adventure opens June 30 in the U.S. and features an all-star cast of Lana Condor, Toni Collette, Jaboukie Young-White, Jane Fonda, Sam Richardson, Annie Murphy, Colman Domingo and Will Forte. “Ruby Gillman, Teenage Kraken” follows the the shy teenager Ruby, who discovers that she’s part of a legendary royal lineage of mythical sea krakens and that her destiny, in the depths of the oceans, is bigger than she ever dreamed.

Amy Schumer wasn’t feeling right about living in Barbie’s dreamhouse. So she chose another career path.

EXCLUSIVE: Warner Bros. Motion Picture Group has signed a first-look deal with London and LA-based Locksmith Animation to develop and produce animated features for worldwide distribution.

Indiana Jones And The Dial Of Destiny is predicted to earn a disappointing $60million at the US box office in its opening weekend.As reported by Deadline, box office analysts are predicting the fifth and final film in the franchise will take between $60 million to $70 million over a five-day holiday opening. While those sort of numbers would be reason to celebrate for most movies, Harrison Ford’s last outing as the archaeologist action hero was expected to be a big hitter for Disney and Lucasfilm.The Dial Of Destiny‘s 3-day opening is down from the $100.1million opening for Indiana Jones And The Kingdom Of The Crystal Skull, which is widely considering to be the worst film in the franchise.It’s unclear why The Dial Of Destiny is projected to underperform at the box office, but it could be related to the mediocre reviews that followed the film’s premiere at Cannes last month.

EXCLUSIVE: As the Annecy International Animation Film Festival begins to get underway this weekend, newly hired Warner Bros. Animation President Bill Damaschke has announced a rebranding of the motion picture division with a focus on filmmakers.

Following the release of his Paramount/eOne fantasy pic Dungeons & Dragons: Honor Among Thieves to critical acclaim and over $200M at the WW box office, Golden Globe winner Hugh Grant has entered talks to star in Heretic, a new horror film to be directed for A24 by Scott Beck and Bryan Woods, who also penned the script.

Amy Schumer is talking Barbie.

Ben Croll This year’s Annecy International Animation Film Festival looks to break records with a wider international reach and greater studio participation than ever before. Already set to overtake last year’s attendance, the French lakeside fest,  runs June 11-17 and had run up 13,300 guests by late May — among them a U.S. delegation more than 700 strong.   “[This year marks] the most important U.S. presence ever at Annecy,” says artistic director Marcel Jean. “We’re taking in historical players such as Disney, DreamWorks and Pixar who will still come, as well as global platforms such as Netflix, Paramount, and Warner Bros. Discovery. And [we’re welcoming] a number of big titles.” 

The day after New York-based pickets were canceled for the week because of smoke, the gathering at Warner Bros. in Los Angeles was a bit smaller on Thursday, with less than 50 people gathering in support of the WGA strike.

UPDATE, 4:30 PM: Netflix has unveiled the official trailer for Season 3 of The Witcher, in which Henry Cavill prepares to say goodbye to his Geralt character. In the trailer, a sword-wielding Geralt battles monsters, men and anything else that gets in his way.

Japanese genre auteur Takashi Miike is notorious for taking his cinema to extreme limits, whether that’s in terms of violence or sexual depravity. And over a career that spans three decades, he’s directed some classics: “Audition,” “Ichi The Killer,” the “Dead Or Alive” trilogy, and “Hara-Kiri,” just to name a few.

EXCLUSIVE: Following months of going through dozens of audition tapes, Warner Bros and DC Films look to be getting closer to finding the stars of their Superman: Legacy movie as a second round of testing looks to be imminent.

Podcrushed” podcast. “I felt very small.

The group of executives who are leading CNN on an interim basis made their first comments to staffers on Thursday, vowing to make “this period as smooth as possible.”

Chris Licht released a statement following his exit from CNN on Wednesday.

The day that SAG-AFTRA began its talks with Hollywood studios over its own film and TV contract with a strike authorization in hand, picketing Writers Guild members on Wednesday hit up Disney and Warner Bros in Burbank.

Daniel D'Addario Chief TV Critic The departure of CNN’s Chris Licht, following his turbulent year atop the cable news network, places a pause on one of the great media stories of the decade so far. But even non-media-junkies can appreciate just how strange and how strenuously rocking had been Licht’s time at the network: It played out across screens. The trouble with being the place that invented the 24-hour news cycle is that those hours can come back to bite when you’re the story. There it was in politics, when Donald Trump’s “Town Hall,” with purported rising star Kaitlan Collins, gear-shifted into the first televised rally of the 2024 presidential cycle — with CNN’s air being used to depict an audience of Trump supporters cheering on his jibes. (No less an eminence than Christiane Amanpour, a CNN icon, registered her dissent in public.) There it was on the business pages, with Licht’s overseeing the dismantling of streaming product CNN+, on orders from Warner Bros. Discovery head David Zaslav, setting the tone for his tenure. There it was at the Oscars, when Michelle Yeoh used her best actress acceptance speech to rebuke anchor Don Lemon’s bizarre on-air comments about a woman’s “prime” years. There it was in the gossip pages, after a Variety story about Lemon’s comportment toward his female co-anchors on the network’s flagship morning show, and then his ouster, leaked into the tabloids, and never seemed to be countered by any good news about the network. And, finally, there it was at length, with an all-access profile by the Atlantic’s Tim Alberta revealing Licht’s contempt for predecessor Jeff Zucker and the depths of his disdain for and, frankly, confusion about CNN’s mission.

Jem Aswad Senior Music Editor The music world has seen countless reinventions, rehabilitations, transformations and image overhauls, but there’s never been anything quite like Prince changing his name to an unpronounceable symbol on his 35th birthday, 30 years ago today. His motivation for doing so was never clearly stated, although many assumed it was a ploy to get out of his contract with his longtime label, Warner Bros. Records. He announced the decision in a statement that read, “It is an unpronounceable symbol whose meaning has not been identified. It’s all about thinking in new ways, tuning in 2 a new free-quency.” Since, obviously, the symbol did not exist on a computer keyboard, Warner Bros. sent floppy discs to media outlets containing a digital rendition of the image, although most gradually landed on referring to him as “The Artist Formerly Known as Prince.” Television outlets were also provided with a brief video featuring the symbol, punctuated with an appropriately iconic-sounding digital clank, similar to the ones film companies used when their logos appeared in film credits.

“We are sending a message that our content doesn’t have to cost a fortune to watch,” said the CEO of fledgling streamer SkyShowtime, who said there could be more bundling in the future.

“We are sending a message that our content doesn’t have to cost a fortune to watch,” said the CEO of fledgling streamer SkyShowtime, who backed David Zaslav’s recent suggestion that rival streamers should bundle together.

K.J. Yossman London publicity firm WDW Entertainment has rebranded as WDM Entertainment and unveiled a new leadership team. The arts and entertainment communications agency, which was co-founded by CEO Amy Dowd in 2017, has welcomed industry veteran Daniel Maynard as managing director while Frankie Mendola and Sarah Wareing have been upped to associate directors. The agency’s new name reflects the surnames of WDM’s revised leadership and shareholders. Dowd and Maynard will also sit on the outfit’s board alongside CFO Evi Dennison. Maynard, who boasts over 20 years experience in media and entertainment in both in-house, consultancy and agency roles, previously worked as VP for communications (television and DTC) at Walt Disney EMEA, where he launched Disney+ across 17 markets, among other initiatives. Maynard has also held senior roles at 21st Century Fox, National Geographic, Freuds, BBC and Microsoft and is a member of the BAFTA television committee.