In the Heights” nearly two decades ago, Broadway heavyweights stumbled over what he was selling. They wanted the young female protagonist Nina, who drops out of Stanford, to have a more dramatic reason for leaving school than the pressures of being the first in her family to go to college.“I would get pitches from producers who only had ‘West Side Story’ in their cultural memory,” Miranda recalls. “Like, ‘Why isn’t she pregnant?
Why isn’t she in a gang? Why isn’t she coming out of an abusive relationship at Stanford?’ Those are all actual things I was pitched.” He pauses for a moment, not to entertain those queries but to consider their absurdity. “Because the pressure of leaving your neighborhood to go to school is fucking enough.Read more on variety.com