‘I Am T-Rex’ Animation Sets China Re-Release, Picked Up by Autumn Sun – AFM (EXCLUSIVE)

RIIZE will “halt his activities” indefinitely, SM Entertainment has announced.In a statement posted on Twitter/X today (November 22), SM Entertainment announced that RIIZE member Seunghan will “halt his activities” with the boyband “indefinitely”. The agency says this is “related to his private matters that were recently leaked and distributed through online channels”.“Seunghan sincerely apologises and is reflecting on the disappointment and confusion he has caused to not only the group and his group members but also to the fans,” the K-pop agency wrote, as translated by Koreaboo.

Eminem has seemingly begun teasing a collaboration with the hit video game, Fortnite.The rapper took to social media last night (November 21) to tease a potential collaboration with the Epic Games battle royale game, writing in a caption: “calling all grandmas 12.2”.

good. Some of the of Cyber Week—Tory Burch and Ralph Lauren, anyone?—are among the discounts, but don’t sleep on the rest of the retailer’s categories. From home decor to to , thousands of picks (and counting) are up to 50% off.And if you’re on the hunt for the for, well, everyone, Macy’s is definitely worth a visit.

When Oppenheimer filmmaker Christopher Nolan received the Federation of American Scientists’ Public Service Award earlier this month, in recognition of his cultural contribution by bringing J. Robert Oppenheimer’s story to broader attention through cinema, he made a “plea” to scientists.

Miracle Workers has come to an end. TBS has canceled the anthology comedy series, its last remaining live-action comedy, after four seasons. The Season 4 finale, which is now the series finale, aired August 28.

The cancelations continue ahead of the holiday weekend.

Neve Campbell is sharing her thoughts on the current Scream franchise and opening up about Scream VI and the Scream V storyline that left her disappointed.

Disney crossed a key threshold in fiscal 2023, taking in more revenue from streaming than from linear TV.

Patrick Frater Asia Bureau Chief “Godzilla Minus One,” the biggest picture to date in the Japanese monster movie franchise and the Wednesday night closing gala title at the Tokyo International Film Festival, is set for pan-European release at the beginning of December. Rights were acquired for 38 territories (excluding the U.K., Ireland and German-speaking territories) by theatrical-only specialist distributor Piece of Magic Entertainment from Toho, the Japanese studio that controls the ‘kaiju’ franchise and distributes the picture in Japan from Nov.

Patrick Frater Asia Bureau Chief Australia’s Rialto and the U.K’s Vertigo Releasing have joined forces to launch Galaxy Pictures, a new film distribution company in Australia and New Zealand. The company will focus on “broad-appeal, star-driven commercial pictures that cater to consumers attuned to an increasingly digital landscape.” The two companies have already been cooperating for the past three years and handle 120 titles.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has closed multi-territory deals for two of its current titles “The Soul Reaper” and “Vietnamese Horror Story.” The deals follow Skyline’s recent trip to Busan’s ACFM and come ahead of its participation as exhibitor at a string of further final quarter sales events – Tokyo’s TIFFCOM, Santa Monica’s American Film Market and Taipei’s Taiwan Creative Content Fest. Folk horror film “The Soul Reaper,” currently in the final stages of post-production, was licensed to GaragePlay for Taiwan and to Westec Media Limited (WML) for Laos, Cambodia and nine other Southeast Asian territories. The film, adapted from Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (aka “Tet O Lang Dia Nguc”), is set to be released in Vietnam cinemas on 08 December. GaragePlay is one of Taiwan’s leading distributors, and recently handles releases of “Suzume,” “John Wick: Chapter 4” and “Someday or One Day.” WML is the biggest content distributor in Cambodia and has distributed more than 1,000 titles theatrically since its establishment.

Patrick Frater Asia Bureau Chief Top Japanese director Kurosawa Kiyoshi is in post-production of “Le Chemin du Serpent,” a French-language adaptation of his own 1998 film “The Serpent’s Path.” The story sees a mysterious woman team up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened. With Damien Bonnard (“Asteroid City,” “Les Miserables”) and Shibasaki Ko (“47 Ronin,” “Battle Royale”) in the leading roles, the picture is the anchor title of the TIFFCOM sales slate of major Japanese studio Kadokawa. Production is by Kadokawa and Jean-Luc Ormieres’ Cinefrance Studios.

Patrick Frater Asia Bureau Chief Boutique sales agent, House of Film has acquired worldwide rights, excluding Asia, to represent the Malaysian mythical horror film “Curse of the Totem” (aka “Sumpahan Jerunei”) from Produksi Seni Duapuluh-Duapuluh SDN BHD. Based on the 13th Century Borneo sacrificial rituals, “Curse of the Totem” tells the story of Dr.

Patrick Frater Asia Bureau Chief Japanese drama film “Mountain Woman,” which was one of the standouts titles at last year’s Tokyo International Film Festival, is to be represented for global sales by EST N8. Inspired by “The Legends of Tono,” which is Japanese folklore from the Tohoku region, the film depicts a small Japanese village overrun by famine. The burden falls upon Rin, a woman whose connections with the spirit and natural worlds allow her to rise amidst familial conflicts.

Patrick Frater Asia Bureau Chief No Maori Allowed, directed by Corinna Hunziger was named the winner of the Pasifika Award and recipient of a $5,000 cash prize at the Hawaii International Film Festival. It recounts the story of a teacher who unearths a secret past in the town of Pukekohe. Thet causes M?ori community figures to come forward to share personal stories that shaped their lives.

Patrick Frater Asia Bureau Chief A TIFFCOM seminar on Thursday demonstrated both a sense of incredulity that Japanese animation “Suzume” could have enjoyed such wide international success and conveyed the depth of passionate behind-the-scenes strategizing that made it happen. Since its release in Japan at the end of 2022 and international expansion in spring of 2023, following a Berlin festival competition slot, “Suzume,” a fantasy drama about a girl who helps avert natural disasters, sold more than 47 million tickets worldwide. “And most of those people don’t even speak Japanese,” said the session’s moderator Sudo Tadashi, journalist and professor at the Japan University of Economics. Sunami Kazuki, MD of producer CoMix Wave Films and the Takeda Akihiro, an executive attached to the president’s office at the film’s worldwide distributor Toho, said that “Suzumi’s” success was not a foregone conclusion. Its success was years in the making and based on the growing performance of director Makoto Shinkai’s previous movies as well as growing international understanding of the Japanese anime genre. At the beginning of their collaboration, Shinkai and CoMix had little expectation that Shinkai’s works could appeal to non-Japanese distributors and audiences. But, within Asia at least, fans are tuned in to certain kinds of content from other countries. “We also owe this success to the cumulative impact of Studio Ghibli and ‘Demon Slayer 2’,” said Sunami. Shinkai’s 2013 film “The Garden of Words” was initially a Japan-only theatrical release, but it registered in China after Japanese box office success.

Patrick Frater Asia Bureau Chief The immediate family of leading Taiwanese film director Hou Hsiao-hsien said on Wednesday that he had retired from filmmaking due to illness and is now living peacefully in retirement. They said that their family-run company remains active and in business. The statement (see below) was issued in response to news articles earlier this week that followed an introductory speech given in London by critic and curator Tony Rayns before a screening of 1985 title “A Time to Live and a Time to Die,” one of Hou’s best-known features. Rayns was reported to have said that Hou has dementia, will not direct again and that members of Hou’s company had lost their jobs. The family statement – signed by Cao Baofeng, Hou’s wife, son Isaac Hou and daughter Bess Hou – explained that Hou had been diagnosed with Alzheimer’s Disease before the COVID pandemic and that COVID had, to their surprise, worsened the problems. They continued by saying that Hou has recovered from the COVID-related complications and is now resting quietly at home with his family.

Patrick Frater Asia Bureau Chief Leading Chinese filmmaker Zhang Yimou has a tough guy exterior – leather jackets, black shirts and a square jaw that has earned him acting awards alongside his top-level credentials as cinematographer and director of “Hero,” “The Road Home” – but on a visit to the Tokyo International Film Festival this week he was all smiles and frank talk. Zhang received a lifetime achievement award on Monday. On Tuesday the festival gave a gala screening to his historical blockbuster “Full River Red.” And at a Wednesday masterclass, Zhang was more gushed usable details about his process and frank advice for newcomers. “To be a film director you need to be physically in good shape. No smoking and no drinking,” he advised. “I generally adopt a two-stage process,” he explained.

Patrick Frater Asia Bureau Chief Toei Animation, the Japanese studio behind “Dragon Ball,” “Slam Dunk” and the “One Piece” cartoon franchises, is planning to open a European office in Italy. That may be followed by others in Latin America and India as well as a ramp up of its international production. The group already has a handful of overseas regional offices covering Asia, the Americas and Australasia, and Europe-Middle East and Africa (EMEA).

Patrick Frater Asia Bureau Chief Ichiyama Shozo assumed control of the program of the Tokyo International Film Festival after a long programming career that included Tokyo and the slightly more indie Tokyo Filmex events. He is also a regular producing partner of Chinese art-house darling Jai Zhangke. These influences have shaped his approach to this year’s Tokyo IFF lineup, he told Variety.

Patrick Frater Asia Bureau Chief TIFFCOM, the film market attached to the Tokyo International Film Festival, is set to be more international and more diverse in its first full comeback year after the COVID hiatus. It should also be more pleasant and convenient, having re-located to a more modern venue that is close to the film festival. “Bringing the in-person market back after four years, my priority was to make sure that TIFFCOM could happen during the festival, not some other time,” said Shiina Yasushi, who has headed the market for ten years.