How Sound Pros for ‘Oppenheimer,’ ‘Maestro’ and ‘Spider-Man’ Found the Right Mix for Their CAS-Nominated Work
variety.comTodd Longwell Sound doesn’t get a lot of high-profile recognition during movie awards season, outside of a single category at the Oscars.
That’s why the 60thCinema Audio Society Awards – which will be held on March 2 at the Beverly Hilton – are such an important date on the entertainment industry calendar.
The awards honor the work of sound teams across eight categories — from live action and animated movies to one-hour and half-hour TV series — that has them navigating complex technical challenges, while applying sonic shadings and narrative arcs that are often virtually undetectable to audiences.
Nominated re-recording sound mixers Tom Ozanich and Dean A. Zupancic wanted to draw subtle sonic distinctions between the different eras depicted in director Bradley Cooper’s feature “Maestro,” which spans more than four decades in the lives of Leonard Bernstein (Cooper) and his wife Felicia (Carey Mulligan).
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