Nick Vivarelli International Correspondent In March, several months before SAG-AFTRA actors went on the warpath in Hollywood, Italy’s dubbing industry workers staged a protracted strike demanding higher wages, less frenzied work conditions and protection against artificial intelligence.
The Italian dubbing industry workers – many of whom are voice actors – returned to work after three weeks as local unions entered a phase of negotiations that seemed promising enough, even though their issues are not yet resolved.
Cut to the present day. Italian unions representing the country’s film and TV industry workers are at “a very critical, almost historic juncture” in a broader labor dispute with the country’s motion picture association ANICA and other industry trade orgs, according to Sabina Di Marco, leader of SLC CGIL, the biggest union at the bargaining table.
SLC CGIL, which represents roughly 1,700 Italian actors, and UNITA, an Italian actors’ union with 1,600 members, are in what Di Marco hopes are the final stages of hammering out Italy’s first collective actors labor contract.
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