How ‘M3GAN’ Boogied Her Way To The Box Office Via TikTok; Sequel Already In Works

A married couple say they are ready to start a family - despite their 61-year-old age gap. Miracle Pogue, 24, and Charles Pogue, 85, first met in 2019, when she was working in a launderette.

Lidl has managed to land itself in a bit of hot water with its customers who have been left fuming over a major change they have spotted on its toilet paper.

Scots are facing mortgage payment hikes after the Bank of England raised interest rates on Thursday.

The Department for Work and Pensions (DWP) has clarified what happens to scheduled payments and entitlement to Personal Independence Payment (PIP) following a hospital stay which lasts longer than 28 days.

Celtic fans have been critical over the high numbers of stewards spotted on the touchline against Livingston - insisting the numbers skyrocketed for the Premiership showdown.

Scottish residents have shared five more of the 'worst' places to live in the country, and once again they have not held back.

THE shine is starting to fade from Brooklyn Beckham and Nicola Peltz’s picture-perfect wedding, just ten months after the multimillion-pound do. A new lawsuit in the US — issued by the American actress’s own father — paints a picture of her as a “bridezilla” who burned through three wedding planners in the run-up to their big day, as well as allegedly snapping at staff.

On a winter Thursday still ruled by James Cameron’s Avatar: The Way of Water, Sony’s Tom Hanks drama A Man Called Otto and Lionsgate’s Gerard Butler action pic, Plane, sought to get an early start with respectively $635K and $625K each.

Listen, Universal Studios thought they had something special in “M3GAN,” but they certainly didn’t think it would open to over $30 million dollars with the historic blockbuster “Avatar: The Way of Water” still in the marketplace. And despite their conservative public estimates (high teens), even rival studios had it only in a low $20 million+ range.

EXCLUSIVE: Elvis filmmaker Baz Luhrmann has been tapped to receive the Advanced Imaging Society’s Harold Lloyd Award at the 2023 Lumiere Awards, which are taking place at The Beverly Hills Hotel on February 10.

James Cameron’s Avatar: The Way of Water will reign supreme in its fifth weekend over the four-day MLK holiday frame with an estimated take around $35M.

“Avatar: The Way of Water” has only been out in theaters less than a full month, and the film has already earned well over $1.73 billion worldwide. It’s an astonishing number and a total that will likely well exceed $2 billion in just a matter of a couple of weeks.

Saudi Arabian family comedy Sattar, about a depressed man who decides to pursue his dreams of becoming a freestyle wrestling champion, has set a new box office record for a local film at home.

The first weekend of any year at the box office is typically a weak one, but Avatar: The Way of Water and newcomer M3gan proved to be the exception to that rule.M3gan opened as the first new wide release for 2023, taking in a strong $30.2 million at the box office (via Deadline), just days after producer James Wan and director Gerard Johnstone hinted a M3gan sequel may be coming.Despite a strong debut, it could not dethrone director James Cameron's blockbuster Avatar: The Way of Water, which won its fourth straight weekend with $45 million.  First 2023 movie: M3gan opened as the first new wide release for 2023, taking in a strong $30.2 million at the box office (via Deadline ), just days after producer James Wan and director Gerard Johnstone hinted a M3gan sequel may be coming  Blockbuster: Despite a strong debut, it could not dethrone director James Cameron's blockbuster Avatar: The Way of Water, which won its fourth straight weekend with $45 millionAvatar: The Way of Water continues its blistering run, dropping just 33.2% in its fourth weekend, from a third weekend that saw a surprising 6.4% increase from the second weekend.The long-awaited sequel was added in 138 more theaters for a fourth-weekend theater count of 4,340, with a strong per-screen average of $10,368. The fourth-weekend haul pushed the blockbuster past the $500 million domestic threshold with $516.7 million, with the worldwide haul passing $1.7 billion.

Refresh for latest…: That was fast. Coming out of its fourth weekend of release, James Cameron’s Avatar: The Way of Water has topped $1.7B globally and become the No. 7 biggest movie of all time worldwide.

The Blumhouse-Universal PG-13 genre title is off to a great start with $2.75M after 5PM showtimes. Universal is betting $17M heading into the weekend on M3GAN while tracking was seeing well north of $20M. Horror fans come out on Thursday night so hopefully this great momentum keeps up.

They are known as the peaceful inhabitants of Pandora.But director James Cameron is preparing to show a different side of the Na'vi community in the next Avatar sequel.  Speaking with the French outlet 20 Minutes, Cameron, 68, described his intentions to introduce new communities to the franchise and showcase a darker side of the Na'vi. 'I want to show the Na'vi from another angle': Director James Cameron is preparing to show a different side of the Na'vi community in the next Avatar sequelThe next film will show 'different cultures from those I have already shown,' Cameron told the outlet, according to Total Film.'The fire will be represented by the "Ash People." I want to show the Na'vi from another angle because, so far, I have only shown their good sides,' he explained.

Hoping to take the sub-horror killer doll genre to new heights, producers James Wan and Jason Blum have teamed on what they hope to be a modern technology-infused combo somewhere along the lines of Annabelle meets The Terminator. Short of literally doing that, they have cooked up the latest Blumhouse fright picture, M3GAN, which for the most part follows a formula but shakes it up just enough to have strong appeal — especially for the teen-girl audience that gravitates to these PG13-safe kind of movies.

After scoring one of the decade’s great critical and commercial successes with Jordan Peele’s “Get Out,” it’s no wonder that Blumhouse Productions doubled down on the low-budget “social thriller.” Their prevailing model that’s overtaken the genre has seen delights (“The Invisible Man,” “Nanny”) and duds (“The Hunt,” “They/Them”). What felt freshly reimagined in 2017 has become somewhat rote as screenwriters all but baked the inevitable think-pieces into the scripts themselves.