While doing research for his work on All Quiet on the Western Front, production designer Christian M. Goldbeck was excited to find rare non-propaganda photographs of the battlefields and trenches.
These images were pivotal in the design process to show the reality of the war. “We decided in a very early stage to make it visceral and physical, to show what we can lose in war,” he says. “To beautify war would be propaganda.” By subscribing, I agree to the Terms of Use and Privacy Policy.
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