Total Film for the new issue (out this Friday) about Death On The Nile. “Then it moved to Morocco, and I was like, ‘Hey, that’s still cool’.
And then it moved to Longcross [studios in Surrey], and I was like... ‘Wait a second – it’s Death On The Nile! We need sunshine!’” Well, yes.
But just as director Kenneth Branagh had done on 2017’s Murder On The Orient Express, rays – and the great temples, the souks and floating palace, the SS Karnak – could all be fabricated in the British drizzle.
Hell, even the Nile could be created.“You have to deliver, I think, on these films,” muses Branagh over the phone on a windy, wet evening. “We’ve sort of made a contract with the audience to take them away.
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