Carlos Aguilar Lucy Kerr’s unnerving debut, “Family Portrait,” opens with a sequence where a character is intent on materializing the title in literal fashion.
Katy (Deragh Campbell), a 20-something, tries to wrangle adults and children to take a group photo together on a calid afternoon among the greenery in the family’s vast estate.
As her relatives walk towards the chosen spot, the camera moves horizontally while bodies come in and out of the frame. Katy, wearing a frustrated expression, struggles to get them to cooperate.
Their scattered movement and Katy’s exasperation give the scene a dreamlike uncanniness. Could these images be Katy’s unconscious preemptively anxious about the task ahead?
Read more on variety.com