Bohemian Rhapsody,” and Elton John, who got his own movie with “Rocketman,” Presley comes with more pop-culture baggage than you could stuff into a million Gracelands.There’s the campy Vegas impersonators, the “thank you, thank you very much” catchphrase, the white jumpsuit, the late-in-life weight gain and, of course, dying on the toilet at age 42.
For such a singular figure in music — still instantly recognizable to teens today in a way that Bruce Springsteen and Paul Simon are not — he’s not allowed much dignity.Luhrmann’s hugely entertaining film and Butler’s sensational performance are dead set on righting that wrong.
A movie that runs on jet fuel and confetti, “Elvis” is a tribute to Presley’s innovative spirit, deep passion for fusing blues, country and gospel music and the intense connection he had with his audience.
Elvis taking inspiration from black musicians like B.B. King (Kelvin Harrison Jr.) and Little Richard (Alton Mason, exceptional) is another focus.More broadly, the movie is about the unique struggles of being ultrafamous during the social tumult, increased visibility and rapidly changing mores of the 1950s through the ’70s.
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