Comedy of Errors says, “We’re glad you’re here.” You will be entertained as if adored, yelled at with affection, and there will be no need to actually follow Shakespeare’s ridiculously convoluted shenanigans surrounding the reuniting of two sets of separated twins, although a pre-curtain read of the synopsis will help.Even better, you will be treated to Shakespeare delivered with a kind of natural energy, meaning you don’t have to be a die-hard fan of the Bard to fully understand the gist of what’s being said and why.
Put simply, director Simon Godwin and this top-notch cast are out to give a warm and lovely embrace to anyone and everyone — and that’s a lot harder than it looks.Going for accessibility right out of the gate, Godwin opts for a flash-forward to the 1990s, cleverly predating cell phones (whose use would instantly thwart any “errors”) and allowing for a relatable vibe that invites everything from funky interludes to wittily-adapted asides.
Scenic designer Ceci Calf nods to the old world with her colorfully-faded Mediterranean port with harbored boat and balconies, but her details lean toward cutely contemporary — and often rubbery — kitsch.When the actors arrive in Alejo Vietti’s retro fashions, it makes for an amusing contrast.
Is it as magical as Round House’s 2022 sea chanty of a Tempest? Not quite. But with a remit to please a very wide crowd, this fits the salty bill.
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