Anna Marie de la Fuente Following, some potential Chilean highlights at Cannes:“Beautiful Yet Mortal” (“Bella Cosa Mortal”), Nicolás PostiglioneAn Oro Films-Whisky Content co-production about star-crossed lovers in an ultra-traditional German community in Southern Chile, from the director of the acclaimed “Immersion.” To shoot in late 2022.Breaking and Entering” (“Allanamiento”), Tomás Gonzalez MatosFrom Sanfic Industry Goes to Cannes, a police procedural where the deputy commissioner of the investigative police unit asks the commissioner to enter the prosecutor’s office and dispose of recordings implicating them in drug trafficking, torture and corruption.
In post.“Conditional,” Alvaro Diaz A youth comedy from Juntos Films following Esteban who, in order to impact the girl he fancies, runs for president of his school’s student union.
To his chagrin, he’s elected.“Land of Savages” (“Salvajes”) Fernando Guzzoni Produced by Pablo Larrain’s Fabula, a thriller set in 1830 Chile centering on a slave owner haunted by nightmares and his dark past.
When awake, he must face a mounting abolitionist movement that threatens his power and fortune.“Luminescence,” Roberto ZamoraAn eco-themed Suimanga Films production.
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