‘Cabaret’ Review: Eddie Redmayne and Gayle Rankin Lead High-Style Revival That Cuts to the Bone
variety.comNaveen Kumar When Eddie Redmayne’s slithering Emcee assures the audience at “Cabaret” that “here, life is beautiful,” he’s telling a half-truth.
The August Wilson Theater, done up like the Kit Kat Club for a bracing, high-style, Broadway revival that opened there Sunday, has indeed been transformed into a house of pleasure.
Entering through an alley and into fancified, jam-packed lobby bars feels like discovering a speakeasy inside a nightclub. The production is a hot-ticket escape from a city where police are breaking up student protests and a former head of state is on trial for porn-star bribery.
Inside the theater, the denizens of Weimar Germany writhing around this storied den are likewise at least temporarily inured from the political perils pressing on its doors.
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