‘Broker’: Kore-eda Hirokazu on Found Families, Time’s Passage, & Working With Songwriter IU [Interview]

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Globally renowned for his patient, observational style and intimate attention to the lives of outsiders, Kore-eda Hirokazu has spent decades interrogating the nature of family bonds and their moral configurations, often examining the everyday lives of civilians in his native Japan while lingering on those who exist outside its status quo.

His cinema is distinguished by its calm yet compassionate insight, looking past perceived social norms to illuminate the messier realities of family in a society that still conforms such relations to bloodline, age, gender, and class status — despite the inability of such traditional mores to measure the true health of a family unit.

Kore-eda’s latest film, “Broker,” is the first he’s made in South Korea, furthering the director’s travels abroad after his 2020 French melodrama “The Truth.

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