Owen Gleiberman Chief Film Critic Once in a while, you see an actor who isn’t held back by the decorum that rules even most good actors.
Her emotions don’t stay in check — they spill over the sides. When that happens, you may find yourself connected to that actor in a way that tugs your own buried feelings into the light.
To me, the gold standard for this kind of acting is Chloe Webb’s performance in “Sid and Nancy” (1986). Webb played Nancy Spungen as a selfish groupie and unabashed junkie harridan, with a wail (“Si-i-i-d!”) that could frighten the damned.
Yet part of the character’s mental illness is that she had no boundaries; she was all raw feeling torn asunder. Her pain and rage, her desire to be coddled and loved all announced itself with a furious punk purity.
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