Blue Ant Media Sets Asia-Pacific Expansion, Hires Jon Penn for new Sydney Office

Patrick Frater Asia Bureau Chief Director Clara Law (“The Goddess of 1967”) has been set as president of the jury which will discern this year’s Asia Pacific Screen Awards. She will be joined by Malaysia’s Yeo Yann Yann (“Ilo Ilo,” “Wet Season,” American Born Chinese”), German producer Anna Katchko (“Stepne,” “Happiness”), and Faisal Baltyuor, producer and CEO of Muvi Studios in Saudi Arabia. A separate jury for documentaries and animation will be headed by Taiwan-based Myanmar director Midi Z, India’s Rima Das and Japanese documentary maker Toda Hikaru. The APSAs will be presented at a ceremony in Gold Coast, Queensland on Nov.

Patrick Frater Asia Bureau Chief Disney has given a green light to a second season of Japanese drama -horror series “Gannibal.” Set in a fictional Japanese village, season one of Gannibal saw recently relocated police officer Agawa Daigo arrive in his new home a broken man. Wrestling with his guilt over an event that traumatized his daughter, things started off promisingly for the new arrival before a series of alarming events quickly led Agawa to the horrifying realization that something was deeply wrong with the villagers and the mysterious Goto family.

Patrick Frater Asia Bureau Chief Ozu Yasujiro, the leading Japanese film director behind classics including “Tokyo Story” and “Late Spring,” has had his double birth and death anniversaries – Ozu died in 1963 on the day of his 60th birthday, a little more than a year after the release of his last film “An Autumn Afternoon” – celebrated throughout 2023 at places as varied as the Cannes Film Festival, Los Angeles’ Margaret Herrick Library and the Taiwan Film & Audiovisual Institute. But it falls to October’s Tokyo International Film Festival to put on this year’s biggest and most comprehensive reconstruction of Ozu’s surprisingly varied career. Working in conjunction with the National Film Archive of Japan, the festival will present an extensive retrospective that covers almost all the films that Ozu directed (TIFF/NFAJ Classics: Ozu Yasujiro Week) from Oct. 24-29. Ozu spent his entire career, from camera assistant in 1923 to renown director in 1962, as an employee of major Japanese studio Shochiku, with all the advantages and disadvantages such an arrangement brought. While Ozu is best known for his stripped-down dramas, often centered on family relationships, sometimes troubled or contentious, involving parents and young or grown-up children, many hinging on questions of marriage, generational misunderstandings or the loneliness of the elderly, the director’s register may not entirely have been of his own choosing. “The apparent consistency of the post-war films surely owes as much to this production situation as to Ozu’s aesthetic choices,” wrote critic Tony Rayns in a recent Sight & Sound portrait.

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.

Patrick Frater Asia Bureau Chief Filming is now underway in Australia on “Desert King,” a neo-western drama series for Netflix that is positioned to be one of the streamer’s iconic prestige productions in the Asia-Pacific region. The story revolves around money and power in Australia’s harsh Outback regions with filming locations in the remote Northern Territory and near Adelaide, South Australia. When the world’s largest cattle station is left without a clear successor, generational clashes threaten to tear the Lawson family apart. Sensing this once great dynasty is in decline, the outback’s most powerful factions – rival cattle barons, desert gangsters, Indigenous elders and billionaire miners – move in for the kill,” says Netflix by way of a synopsis. While describing the six-part series as “one of the largest local screen productions filmed in both the [Northern] Territory and South Australia,” and “an extraordinary cast,” the streamer has not disclosed the identities of any cast. Directed by Greg McLean (“La Brea,” “Wolf Creek”), the show is a joint production between Easy Tiger and Ronde.

Patrick Frater Asia Bureau Chief Alibaba Pictures, the separately-listed film investment and distribution unit of China’s tech giant Alibaba behind recent box office hit “Lost in the Stars,” is to buy Damai. The target company is a major provider of live entertainment in the country that is currently controlled by the Alibaba parent company. The transaction is valued at $167 million, according to a regulatory filing on Tuesday, and will be paid for by the issue of new Alibaba Pictures shares. Damai is involved in concerts, musical festivals, live house performances, plays, sports events and exhibitions in China.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

Patrick Frater Asia Bureau Chief A+E Networks is continuing its investment in Korean entertainment content with “A Good Day to Be a Dog,” a fantasy romantic comedy that will upload from Oct. 11. Within Korea, the show will play on public broadcaster MBC and Lifetime Korea, releasing at the rate of one episode per week, every Wednesday.

Patrick Frater Asia Bureau Chief Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81. Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed. He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network MBC in 1966. His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.” His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes presentation and box office hit “The Host”; and “Okja,” the creature feature which marked Netflix’s film production debut in Korea and which also appeared Cannes. Byun picked up half a dozen best supporting actor nominations in Korea and regionally in Asia for his role as Hie-bong in “The Host,” converting two of those into wins, at the Asia Pacific Film Festival and Korea’s Blue Dragon Awards.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Patrick Frater Asia Bureau Chief Two Hollywood new releases, “A Haunting in Venice” and “Teenage Mutant Ninja Turtles Mutant Mayhem” failed to make much of an impression on the South Korean box office in their opening weekend. Instead, local fantasy drama “Sleep” headed the chart for a second time. “Sleep” earned $2.38 million in its second weekend, a creditably modest 20% weekend-on-weekend decline, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Korean crime-action webtoon “Knuckle Girl” is being adapted as an original film production for Amazon’s Prime Video. It is structured as a Korea-Japan co-venture. The narrative revolves around a promising woman boxer, Ran, who takes on school bullies and participates in illegal bouts.

Patrick Frater Asia Bureau Chief Michael McGrath, a stage and film actor who earned a Tony Award for his role in 2012 musical “Nice Work If You Can Get It,” has died. He was 65. He died at home in Bloomfield, New Jersey on Thursday, according to his publicist.

Patrick Frater Asia Bureau Chief Tabu-starring spy thriller, “Khufiya” has been set as the opening title of the Indian Film Festival of Los Angeles (Oct. 11-15).

Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.

Patrick Frater Asia Bureau Chief Top actor Asher Keddie will co-produce and star opposite David Wenham in Paramount+ Australia’s freshly-commissioned “Fake” drama-thriller series. Keddie has a long TV career with recent credits including “The Lost Flowers of Alice Hart,” “Nine Perfect Strangers” and “Stateless.” Her movie credits include smaller roles in “X-Men Origins: Wolverine” and eccentric comedy “Rams.” Wenham’s filmography includes “SeaChange,” “Elvis,” “Lord of the Rings: The Two Towers & The Return of the King.” “Fake” follows Keddie’s character, a smart and brilliant writer who thinks she has found her ideal match when she meets a successful rancher, portrayed by Wenham, on a dating app. But after she commits, she discovers that her boyfriend isn’t all he has led her to believe. The show is inspired by the book “Fake” by Stephanie Wood and was created for television by renown screenwriter, Anya Beyersdorf with award-winner director, Emma Freeman (“Secret City,” “Glitch,” “The Newsreader”). The eight- part series is produced by Kindling Pictures’ Imogen Banks (“Safe Home,” “Offspring”) and Emelyne Palmer (“Safe Home,” “RFDS”).

Patrick Frater Asia Bureau Chief Johnny and Associates, the high-profile Japanese talent agency whose deceased founder and long-time president Johnny Kitagawa has been revealed as a serial sexual abuser, will forgo some of its fee income as a step toward victim compensation. The move appears to be an attempt to lessen the company’s toxic brand following the now-confirmed revelations about the late Kitagawa’s predatory behavior.

Patrick Frater Asia Bureau Chief Indian channels aggregator, Tata Play Binge, is soon to incorporate Apple TV+, a first-of-its-kind collaboration for Apple TV+ in India. The move means that series such as “Ted Lasso,” “Shrinking,” “Silo,” “Hijack,” “Foundation,” “Tehran,” “Servant,” “Platonic,” “Severance,” “The Morning Show,” “Bad Sisters,” “Slow Horses” and “Prehistoric Planet,” and Apple Original Films including “CODA” and “The Boy, the Mole, the Fox and the Horse,” “Ghosted,” and the recently premiered “The Beanie Bubble” will be available on the platform.

Patrick Frater Asia Bureau Chief Yakusho Koji, the Japanese star who was named best actor at Cannes this year in Wim Wenders’ “Perfect Days,” is set as the subject of a seven-title showcase at the upcoming Golden Horse Film Festival in Taiwan. Among the septet are classic erotic film “Lost Paradise” from 1997, this year’s “Perfect Days” and 1996 film “Shall We Dance,” which was later remade in Hollywood. A former civil servant who first ventured into Taiga drama (long-running TV series broadcast by NHK), then played in several films by Kurosawa Akira, Yakusho became a major 1990s star in Asia as a result of “Shall We Dance?,” in which he portrayed a ball room dancer, and “Lost Paradise.” He also starred in Itami Juzo’s “Tampopo.” Directed by Morita Yoshimitsu, “Lost Paradise” is a tale of a man and a woman whose marriages no longer make them happy, but who rediscover desire in each other’s arms. Fatefully, however, their newfound joy means ever greater transgression of Japan’s strict morality laws. At the time of the release of “Lost Paradise,” the producers deliberately darkened the erotic scenes to make them less explicit and to achieve less restrictive release classifications.

Patrick Frater Asia Bureau Chief “Dust to Dust,” a low-key crime thriller, topped the mainland Chinese box office over the weekend, despite only being released on Saturday. The film, directed by Jonathan Li, recounts how 21 years after a major armed robbery, a video of the crime resurfaces and causes the police to reopen their investigation. It had its world premiere in June, in competition at the Shanghai International Film Festival. With Da Peng, a former talk show host, required to age significantly for the lead role, the film earned $22.2 million (RMB160 million) in just two days, according to consultancy Artisan Gateway.

Patrick Frater Asia Bureau Chief The South Korean box office got a new chart topper with mystery drama “Sleep,” but the weekend was a sleepy affair. “Sleep” earned $2.97 million over the weekend, according to Friday to Sunday data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over its full opening five days, it grossed $3.97 million. The film, which had its world premiere in Cannes in May, is the tale of a newly-married couple whose relationship is challenged by the man’s nightly disturbances, in which he claims that someone else is inside him. “Sleep” is directed by Jason Yu and produced by Lewis Kim at Lewis Pictures. The top-ranked new release meant that “Oppenheimer” slipped to second place after three weeks on top.