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‘Bloodshot’s’ David S.F. Wilson Brought Broad VFX Experience to Directing Debut
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variety.comEveryone wants a piece of the superhero genre’s oversize box office, which can engender a certain sameness among wannabe blockbusters.
But standing out amid the well-defined brands of Marvel and DC is a challenge Sony’s “Bloodshot,” which bows in theaters March 13, met with a high-energy, realism-based approach to its 1,500 visual-effects shots.
First-time feature director David S.F. Wilson brings decades of experience to the film as co-founder, along with “Deadpool” director Tim Miller, of acclaimed visual effects house Blur Studio.
Wilson says that as a stylistic starting point, he aspired to give “Bloodshot” the energy of a Tony Scott film. “It was a big part of how we carve out a little slice of the [superhero] pie for ourselves,” says
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