In Apple TV+’s Black Bird, Dennis Lehane’s limited series about convicted criminal Jimmy Keane (Taron Egerton) trying to elicit a confession from suspected serial killer Larry Hall (Paul Walter Hauser), cinematographer Natalie Kingston knew she wanted to tackle toxic masculinity from a fresh angle.
Speaking during Deadline’s Contenders Television: The Nominees event, Kingston, who shot all six episodes, said, “Dennis’ perspective on this was really inspiring and really what got me into this.
He wasn’t interested in playing up the violence, being very literal with the story, being on the nose, making these killings feel very heightened or theatrical.
It wasn’t about that at all.” Instead, Kingston noted, the work was to tell “a human story.” Lehane’s telling, based on true events, is “character-driven,” she added, “and it’s about this uncomfortable tense dialogue between these two prisoners and this unlike, false friendship and about the different, complex layers within that.” Lehane’s viewpoint inspired Kingston too, because, “For him it was about examining where each male in this series lies on this spectrum of toxic masculinity and misogyny.
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