Jem Aswad Executive Editor, Music Three hours and 52 minutes is a long time to be doing anything except sleeping — driving, cooking, painting a room — and it’s an excruciatingly long time to spend watching an awards show.
But unlike those other activities, spending 3:52 watching a televised awards show (and that total doesn’t even include the hour-long red-carpet pre-show) leaves a person with little sense of accomplishment or rejuvenation.
The BET Awards are always unusually long for an awards show that isn’t an Oscars or a Grammys — the network traditionally blocks out three-and-a-half hours on the last Sunday night in June — and most years it delivers with either a stacked talent lineup and/or a series of water-cooler moments.
But whether due to the ongoing writers’ strike — which got at least two statements of support from people on the BET stage — or the fact that many artists, including Sunday’s big winners, SZA and Beyonce, are on the road, making up for touring time lost to the pandemic, there was little of either in evidence on Sunday night, in a show that, without naming names, was dominated by mediocre talent, over-long speeches or paid programming of some kind.
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