Jem Aswad Senior Music EditorFifteen-odd years into their career, Beach House are at a point where most artists have settled into “heritage” status at best or rehash at worst.
But with “Once Twice Melody,” they’ve defied those and many other odds, creating an album that is unmistakably them, and at first blush not that different from their previous work, but one that gradually unveils more and more detail, like intricate painting viewed from different perspectives.
Three years in the making, it’s their most definitive and probably their best work to date, and even more remarkable in these ADD-addled times, they’ve done it with a sprawling, 18-song album — their eighth — that is around 80 minutes long.
The Baltimore duo — singer/keyboardist Victoria LeGrand and multi-instrumentalist Alex Scally — have long been the living definition of 21st century dream pop: hazy and soft-focused, drenched with reverb, heavy on vintage keyboard drones, gently pulsating rhythms and LeGrand’s lovely, lulling vocals, which makes it easy to zone out their music like an aural lava lamp and miss the sharpness of the melodies and the intricacy of the arrangements.
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