It seems somehow surprising that Oscar-winning filmmaker Alejandro González Iñárritu and lauded veteran cinematographer Darius Khondji had never worked together before collaborating on Bardo, False Chronicle of a Handful of Truths.
But when they finally did come together on what would become Mexico’s entry for the Best International Feature Oscar, there was an instant melding of the minds and a true feeling of kinship, with each telling me they felt as if they’d discovered a brother they’d never met.
Khondji, who recently won the Silver Frog at Cameraimage for Netflix’s Bardo, recounted that Iñárritu called him “completely out of the blue form the other side of the world and told me about this film he was making.
From the first calls we had, it put me in a certain kind of mood. … The way he was talking about it, there was something very familiar, like somebody from my family, like a young uncle or young brother was calling me.
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