‘All We Imagine as Light’ Review: A Glowing Portrait of Urban Connection and Unexpected Sisterhood
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variety.comJessica Kiang There is a moment early on in Payal Kapadia‘s “All We Imagine as Light” — her second feature after 2021’s lyrical hybrid doc “A Night of Knowing Nothing” — that exemplifies this gently coruscating movie’s peculiar beauty.
Prabha (Kani Kusrati) a hardworking nurse with tired eyes rides the commuter train home at the end of another long day, gazing out at the glimmering blur of the city.
Her life is anything but a fairground and yet, clinging to a pole to steady herself with the rushing night air stirring her hair, she could almost be riding a carousel.
Just two features into her young career, Kapadia has established her rare talent for finding passages of exquisite poetry within the banal blank verse of everyday Indian life.
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