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‘About Dry Grasses’ Review: Nuri Bilge Ceylan Paints the Minutiae of Misanthropy on a Vast, Ravishing Canvas

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variety.com

Guy Lodge Film Critic “Does everyone have to be a hero?” The question comes from thirtysomething art teacher Samet (Deni̇z Celi̇loğlu), burst out in frustration in the heat of an intense argument with his fellow educator and would-be girlfriend Nuray (Merve Di̇zdar), as they disagree over just how, or how much, any individual is obliged to contribute to society.

It’s a familiar cry from a male protagonist in a film by Turkish director Nuri Bilge Ceylan, even if it hasn’t ever been worded quite so directly: “About Dry Grasses,” his long, languid but slowly captivating ninth feature, is merely his latest work to examine man’s right, for better or worse, to be selfish, to be an anti-hero, to crave attention and isolation all at once, and to talk about it all night long.

That talky impulse in particular has become a signature of Ceylan’s filmmaking, to occasionally enervating effect. For all their abundance of lucidly expressed ideas and ideals, his last two films, “The Wild Pear Tree” and the Palme d’Or-winning “Winter Sleep,” couldn’t escape a sense of rhetorical ventriloquism, with the filmmaker placing his own paragraphs of philosophy in his characters’ mouths.

But where those three-hour-plus films were occasionally essayistic, the similarly super-sized “About Dry Grasses” — a title that sounds almost self-parodically esoteric, a veritable taunt to Ceylan’s detractors — feels novelistic in a most nourishing way.

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