A Striking Writer Recalls What It Was Like To Create A Netflix Show With No Full-Time Room: “I Needed People I Trusted To Take A 90% Pay Cut”
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deadline.comEditors note: As part of Deadline’s ongoing coverage of the WGA and SAG-AFTRA strikes, we have been giving voice to below-the-line workers who have been impacted by the work stoppage.
Here, we decided to change gears by asking a writer to recall first-hand what it was like to create a low-budget series for Netflix that had no full-time writers room.
Fearful that it may impact their ability to find jobs in the future, they asked that their name not be used. I have been on a lot of shows over the years.
I would call myself more of a blue-collar writer in that I pretty consistently worked as a number two, number three or number four on all types of shows, some for network, some for cable.
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