'Wonder Woman 1984' Faces a Box Office Dip & HBO Max Glitches

Videos of the incident on social media showed a team of firefighters trying to put out the blaze. The clips show the building going up in large, fiery flames and gray smoke polluted the air.“Downton Abbey” aired on PBS from 2010 until 2015, with a feature film debuting in 2019. A sequel is planned for release in May.

Strictly Come Dancing judge Motsi Mabuse has taken to Twitter to fume that people are starting to "stop caring" about the ongoing conflict in Ukraine.The wife of Ukrainian dancer Evgenij Voznyuk, 40, who she shares a daughter with, has been raising awareness of the war in Ukraine on her social media platforms.In view of her 72,700 fans, the dance professional told how she feared people were starting to become indifferent to the crisis.Motsi wrote: "The longer this continues the less people care!" alongside praying hands emoji.Replying to her post, she added: "Children are still dying."Bombs still flying."Just days ago, Motsi told how she feared the situation in Ukraine "doesn't feel good".The star relayed her thoughts on the ongoing conflict, [removed 'in Ukraine'] comparing it to the coronavirus lockdowns.Motsi wrote: "Remember after the first lockdown how we all thought we will never see a lockdown again and then boom a second lockdown longer than the first one."This is what the situation feels like!"It seems like the situation is escalating..."Just doesn’t feel good!!!!" she ended her post.Last week, Motsi told how her Ukrainian parents-in-law were in bunkers in Kharkiv following Russia's invasion.Motsi reassured fans that she is in contact with Evgenij’s parents but explained the terrifying situation the city is facing.She penned on Saturday morning: “They spent more than half the day yesterday in the bunkers!“In Kharkiv, there are heavy battles so we can’t get to them!“At the moment there is nothing we can do.

Bastille‘s Dan Smith spent time in the BandLab NME Awards 2022 winners’ room last night (March 2) to talk about his favourite music of the year and the band’s upcoming arena plans. Watch our full video interview above.Despite spending a career picking up awards and attending shows, Smith told us he still feels like “a competition winner” during ceremonies, joking: “I’m just staring at everyone, which is probably why I don’t have any famous friends.”After he and Natalie Imbruglia took the stage at London’s O2 Brixton Academy to present this year’s Best Song In The World trophy to Lorde, he told us how his night had gone so far, noting that Sam Fender kicking off the awards was a “pretty banging way to start.”Smith also joked about how even though Lorde wasn’t present to receive her gong for ‘Solar Power’ she still made a splash at music’s wildest night.“[She] was in a pool, of course,” he quipped.

Page Six of his legendary eponymous talk show. "I mean, I never took it seriously. I always knew it was a stupid show.

Video-essayist-turned-filmmaker Kogonada made his feature film debut in 2017 with the lyrical and poetic “Columbus,” a film we loved so much we declared him one of the breakout talents of the year. Describing him at the time as “coming out of the gate fully, and beautifully formed,” we all waited with bated breath to see what his follow-up would be.

Leah Marlene is going to Hollywood!

A radical starts a different kind of revolution in the ’70s.

Jazz Tangcay Artisans EditorWhen “Wonder Woman” costume designer Lindy Hemming heard that the follow-up to the 2017 box-office hit starring Gal Gadot was going to be set in 1984, her first question was would the costumes fall under period or fantasy?The answer is a simple one, “both,” Hemming says.Below, Hemming breaks down key looks from “Wonder Woman 84” and creating an ’80s wardrobe for Chris Pine, Gal Gadot and Kristen Wiig.In the first film, Diana/Wonder Woman was down and dirty because she was in the trenches. With this, director Patty Jenkins wanted to change the texture and look to give it a glowing ’80s feel.We changed the material of her bodice and made it from urethane which can be molded.

Patty Jenkins recently spilt the beans on the difficult journey she chattered over the decade to bring Wonder Woman. The director appeared on WTF and spoke to the host Marc Maron and spoke about the numerous unexpected turns during the journey.

While fans keep revisiting Wonder Woman 1984 through HBO Max, one fan has put together an interesting take on the 'body swap' trope used, and director Patty Jenkins seemingly approves.The first Wonder Woman movie took place during World War I in the 1920s, with the sequel set in 1984, as Jenkins used a 'body swap' device to bring back Chris Pine's Steve Trevor.The use of the trope lead to many fans questioning the use of this trope, though Twitter user DustyDontShoot broke it down in a way that earned a retweet from Jenkins.

Wonder Woman director Patty Jenkins slammed the New York Post on Tuesday for an article that discussed the process of bringing the Gal Gadot-starrer to screen.

Patty Jenkins has responded over the body swap controversy with Chris Pine‘s Steve Trevor in Wonder Woman 1984.

Marc Maron’s “WTF” podcast to promote the film’s new hit sequel “WW84,” Jenkins described how studio bigwigs were less interested in her ideas than in the optics of having a woman direct a female-centric superhero flick. “Everybody in the industry wanted to hire me,” said the 49-year-old director, who also helmed the critically acclaimed “Monster,” which won Charlize Theron the Oscar for Best Actress in 2004.

Wonder Woman 1984 director Patty Jenkins has discussed the “internal war” she faced with Warner Bros over the new DC film.Speaking on Marc Maron’s WTF podcast, Jenkins alleged that Warner were more interested in the symbol of having a woman direct a superhero film than her actual ideas.“They wanted to hire me like a beard,” she told Maron. “They wanted me to walk around on set as a woman, but it was their story and their vision.“And my ideas? They didn’t even want to read my script.

“Wonder Woman 1984” dipped a strong 67% in its second week of available theaters in North America, perhaps proving that some things — like blockbusters losing a lot of business after their opening week — say the same during a global pandemic. The film has grossed $120 million globally so far,, and that’s a definitely muted response, but these are not normal times.

The first weekend of the year, which at its apex in 2016 grossed $219.5M off the heat of Disney’s Star Wars: The Force Awakens, registered under an estimated $13M for the entire weekend in a continued decimated exhibition marketplace that’s praying to reopen in 2021. Warner Bros.’ theatrical release of Wonder Woman 1984, which is also available on HBO Max for the next 21 days, grossed $5.5M, -67% for a running domestic B.O. of $28.5M.

Wonder Woman 1984 when she made the remark.A fan said the new superhero film was “a breath of fresh air”, to which Jenkins replied: “Thank you @kjb_movies. I agree we need more variety in Superhero movies, not less.

If you’re like me, you probably explain your love of the first “Wonder Woman” film by saying you really like the first two-thirds but hate the last act. That’s because the first two acts are a fun, emotional adventure through WWI-torn Europe as Diana Prince and Steve Trevor fight bad guys and acclimate to this changing world.

It’s historically been a week when we’re reporting on Star Wars movies doing a daily box office average of $20M, but in this distressed Covid environment where 60% of all U.S./Canada theaters are closed, we have only to highlight that Warner Bros.’ Wonder Woman 1984 did an estimated $22.5M in its first week. Eeesh. Now these numbers do not come from Warners as they’re not reporting until Sunday, rather box office sources with their ears to the ground.

The Patty Jenkins-directed DC sequel has grossed more than $100M worldwide according to Warner Bros.

Patty Jenkins may now be known as the filmmaker that has brought “Wonder Woman” to the big screen, but before that, her only other feature film as a director is “Monster” from way back in 2003. So, needless to say, her IMDB (outside of TV gigs) isn’t littered with a lot of feature film experience.