Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.
Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.
Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.
Why Debra Messing Finds Her New Broadway Role ‘Far More Satisfying’ Than Grace
variety.comGordon Cox Theater EditorDebra Messing has only been in the Broadway play “Birthday Candles” since March, but in some ways, she feels more deeply connected to her character Ernestine than she felt to the leading role she played for more than a decade in NBC’s long-running hit “Will & Grace.”Listen to this week’s “Stagecraft” podcast below:“I lived with Grace 11 years, and already my experience of Ernestine is far more satisfying than Grace,” Messing revealed on the new episode of “Stagecraft,” Variety’s theater podcast.
That satisfaction is due in part to the the demands of the role in “Birthday Candles,” which requires Ernestine to age 90 years onstage — from 17 to 107 — over the course of the show’s 90-minute run time. “Because [Ernestine] goes through so much, it forces me to consider things that I normally am not asked to consider when it’s just one role that is based in one moment in time,” Messing explained. “So I feel it.
I feel it very deeply.” Messing also talked through all the ways that performing for a live studio audience, as she did for “Will & Grace,” is similar to appearing on Broadway — and all the ways in which the two are very different.
For one thing, the fast pace of her work on “Will & Grace,” in which cuts and rewrites were made on the fly and each week brought a new episode, is “like improv in a way,” she said. “I would say in 25% of what you see on television, we’re saying those lines for the first time. … You experience it in your body in a completely different way than when you are really living and growing and expanding in a part [as you do in the theater].”Of screen acting in general, she noted, “It feels less like art to me, and it feels more like a craft.
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