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Venice Review: Kim Ki-duk’s Final Film ‘Call Of God’
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deadline.comAfter a lifetime spent creating outrage and offence, both on and off screen, Korean master Kim Ki-duk has left the world with this final film, finished by his friends after his death.
The story of a passionate affair that curdles almost immediately into jealousy and hate – but ends on a lyrically wistful note – is a startlingly appropriate rogue’s epitaph.Call of God was shot in Kyrgyzstan, Estonia and Latvia in 2019.
Kim died of complications from Covid in late 2020 at age 59; the film was assembled by Artur Veeber, his Estonia-based producer.
Sexual manipulation, seething violence, spiritual yearning and the consoling beauty of the natural world – all the signal elements of his work since his debut with Crocodile in 1996 – are here.
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