DC’s future Superman, David Corenswet.Without a doubt, these characters’ backstories and drives are vastly more compelling than those of 28 years ago.
And the main trio’s opposing auras — Edgar-Jones’ damaged soul, Powell’s sensitive jock and Ramos’ heart of gold — marry beautifully.
There’s greater moral complexity this time, too. Screenwriter Mark L. Smith has cannily reworked the research vs. profit angle from the 1996 film into something newly pressing.
And it’s not just sober data collection battling vapid social media clicks. He throws a curveball.Chung was a bold pick for “Twisters.” Indie directors can flop big-time when handed the reins of big studio tentpoles burdened by high expectations (see: Chloe Zhao and Marvel’s “Eternals”).
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