“To be honest, the idea of freedom scares me:” Produced and presented by filmmaker Roman Coppola (“Mozart in the Jungle,” “A Glimpse Inside the Mind of Charles Swan III,” and a regular Wes Anderson co-writer), eight different filmmakers come together to collectively direct “The Seven Faces of Jane,” in which the titular protagonist (played by Gillian Jacobs, who also directs) undergoes a series of life-altering changes, as she drives away from her “mundane life into an exciting odyssey on the road.” The idea is essentially a cinematic exquisite corpse, the game invented by French surrealists, where one person writes a fragment of a sentence, the next person reads some of it, and tries to add onto it from there; essentially an experimental game of passing the baton with art.
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