Wanna feel old? Contrary to popular depictions of millennial youth as being disenfranchised, politically feckless and bone idle, this eye-opening documentary might be the bazooka that’s needed to shatter all those cozy assumptions.
So of-the-moment is Ondi Timoner’s latest work that it premiered almost exactly when the collapse of SVB made international news, and though that particular eventuality isn’t foreseen here, it won’t take much post-festival fine-tuning to bring her film bang up to date.
After last year’s Last Flight Home, an emotionally intense but beautifully calibrated meditation on her father’s right to assisted suicide, Timoner returns to her forte, which is an uncanny ability to intuit the vicissitudes of pop culture while embedding herself in it while it’s happening.
With awards season now a year away, it’s hard to say whether the immediate relevance of The New Americans will make it last the course, given what just happened with Laura Poitras’s once sure-fire winner in the space of six months.
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