Peter Debruge Chief Film Critic At first, the violence seems limited to news reports. Every time a gangster is gunned down or a car bomb goes off in the streets of Corsica, the local channel flashes footage of the crime scene.
So long as the killings are confined to television, it’s easy for 15-year-old Lesia to pretend they’re neither real nor relevant, that the people involved aren’t members of her father’s inner circle.
But as “The Kingdom” unfolds, the attacks keep getting closer, slowly infiltrating the film itself, until finally, they’re happening right in front of her face.
Corsica, like nearby Sicily, has a serious problem with organized crime, which escalated dramatically in the 1990s, when “The Kingdom” is set.
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