Owen Gleiberman Chief Film CriticYou could call “The Immaculate Room” the ultimate lockdown movie, or maybe the spa version of “Saw.” It’s a chicly austere and, at stray moments, provocative tabloid thriller in which Kate (Kate Bosworth) and Mikey (Emile Hirsch), as part of a mysterious contest, agree to spend 50 days living in a large bare white room.
When they first walk in, they’re greeted by a Siri voice, British and female, who makes ritual pronouncements like “It is evening.
Enjoy your stay in the Immaculate Room.” If they make it through all 50 days, they’ll get $5 million in prize money. (If only one of them makes it, the reward gets reduced to $1 million.) It doesn’t sound all that hard, like two months of voluntary prison time minus the dirt and danger.
And that’s the hook: Who wouldn’t do this for $5 million? But the fact that it sounds so do-able means the audience is asking from minute one: What’s the catch?
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