It’s hard to know what to say about Sam Levinson’s already controversial HBO series except that it says quite a lot about the increasingly attention-grabbing antics of the Cannes Film Festival that space was made at the prestigious Grand Théâtre Lumière for the first two episodes of a cable TV show.
In a case of life imitating art, the crazy scenes surrounding the premiere would not have been out of place on the screen in a story that, at least as far as anyone could tell, is a satire on the sensation-saturated world of contemporary pop culture, where good is bad and bad is the bare minimum.
Presented without explanation or context, The Idol unspooled in two roughly 50-minute chunks, presenting a more sedate setup than its trailer suggests.
The opening scene is a photoshoot for the notorious Jocelyn (Lily-Rose Depp), a famous singer recovering from a breakdown after the death of her mother.
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